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Meet Me By the River  2025

 At first glance the images in this series are familiar looking natural elements - tree roots, bark, stones, and plants - but then they become something else - something not seen before.   A close look reveals unusual organic shapes and primordial forms - as if they have always existed in the inner life of these trees, and are now unveiled. 

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 The roots were eroded by flood waters over the decades, then dried in the summer sun, revealing beautiful textures, colors, and patterns.   Shades of brown, blue, gold, and gray, are exposed in the underbelly of these wonderful trees.   A simple process of mirroring a single photograph unearths unforeseen, otherworldly photographs. 

 

 I continue to explore the banks of the Mississippi River near my home in St. Paul to find more toppled trees and their exposed root systems to photograph for this ongoing series, Meet Me By the River.   There is always more to discover and share.          James Byrne

 

            Photographs are available for exhibition.  Please contact James Byrne, byrnefilms@gmail.com for more information.

1 Sep302.jpg

September 302, 14 x 24, archival pigment print

2 May1226.jpg
May 1226, 14 x 24, archival pigment print
3 Sep254.jpg
September 254, 14 x 24, archival pigment print
4 July1402.jpg
July 1402, 14 x 24, archival pigment print
5 May1223.jpg
May 1223, 14 x 24, archival pigment print
6 Sep103.jpg
September 103, 14 x 24, archival pigment print
7 Apgar72.jpg
Apgar 72, 14 x 24, archival pigment print
8 Sep239.jpg
September 239, 14 x 24, archival digital print
9 July1430.jpg

July 1430, 14 x 24, archival pigment print

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 I choose to print on vinyl, a fabric-like, archival substrate because it allows my photographs to be hung like objects floating inches from the wall, unframed, flowing and moving.  To me, traditionally framed photographs are constrained and tomb-like.  

 

 I want my work to pop away from the wall, activated, close to the viewer, and appear touchable.  In fact, this material is durable, safe, and washable.  

 

 I prefer this material because of its industrial feel, surface quality, color and contrast,

object-ness, and touch-ability.  The photographs in this series are non-traditional and require a non-traditional display mode.

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 James Byrne

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